Haarlem is one of those cities you fall for the moment you arrive: it has all the beauty of Amsterdam — tree-lined canals, gabled houses, Gothic churches and an intact medieval centre — but on a more intimate scale and with far fewer people. It is only fifteen minutes by train from the capital, and yet the rhythm is different, calmer and more genuine. It is no accident that many travellers use it as a base for discovering this part of the Netherlands.
Capital of the province of North Holland, Haarlem was a rich and powerful city in the Dutch Golden Age, and that glorious past shows on every corner. Frans Hals, one of the great seventeenth-century portrait masters, lived and painted here, and his museum is essential. The city is also famous for its 'hofjes', charming garden courtyards hidden behind discreet façades, and for sitting in the very heart of the flower bulb region, a step away from Keukenhof.
This guide covers the essentials of Haarlem with a practical, warm eye: its monumental market square, the imposing church of St Bavo with the organ Mozart played, the windmill beside the river Spaarne, the museums, the secret hofjes and the best way to combine it with the tulip fields and the coast. A quiet gem on Amsterdam's doorstep, ideal for anyone after the most authentic Netherlands.
Haarlem grew up on the banks of the river Spaarne and was granted city rights as early as 1245 by Count William II of Holland. Its strategic position on the route between Amsterdam and Leiden soon made it a prosperous, walled city. In the sixteenth century it lived through one of its most tragic episodes: during the Eighty Years' War against Spain, Haarlem was subjected to a brutal siege by Spanish troops (1572-1573), which ended with the city's surrender and the execution of many of its defenders. After the independence of the United Provinces, Haarlem flourished in the Golden Age as a centre of the textile industry (its linen and its cloth bleaching were famous), of brewing and, above all, of flower bulb growing, an activity that still marks the region. It was also a first-rank artistic centre: the great portraitist Frans Hals worked here and an influential school of painting developed. The city suffered fires, plagues and the seventeenth-century 'tulip mania', the first speculative bubble in history, tied to the tulip trade. Today Haarlem keeps its old town intact and its character as an elegant Dutch city. The full history is on our history page.
Read the full history ↓The heart of the Golden Age: the city born from a dam on the river Amstel, capital of world trade and seat of the VOC, with its UNESCO-listed canal belt, its Jewish history and the Anne Frank House, and around it the windmills of the Zaanse Schans, the Haarlem of Frans Hals and the old fishing villages of the Zuiderzee.
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Origins, formation and what the sources say.
Haarlem grew up on the banks of the river Spaarne, on a stretch of sandy ground slightly higher than the marshy surroundings, which protected it from flooding and made it habitable. The first settlements go back at least to the tenth century, and over time the place grew around a crossroads and the activity of the river. Its name is thought to derive from Germanic roots relating to a settlement on high, sandy ground between woods and dunes.
The great leap came in 1245, when Count William II of Holland (who a few years later would be elected King of the Romans) granted Haarlem city rights. That privilege allowed it to build walls, organise its own government, charge tolls and develop trade and craft autonomously. Haarlem was soon walled and became one of the most important cities in the county of Holland, on the strategic land and river route between Amsterdam and Leiden.
During the late Middle Ages the city prospered thanks to the textile industry — especially the production and bleaching of linen, helped by the purity of its water and the light of the region — and to brewing. Churches, convents and the first charitable 'hofjes' were built. Haarlem thus entered the early modern era as a thriving, walled and proud city, ready to play a part in some of the most dramatic episodes in Dutch history.
The sixteenth century plunged the Netherlands into the Eighty Years' War (1568-1648), the long revolt of the provinces against the rule of Philip II's Spanish Crown, driven by religious conflict (the advance of Protestantism against Catholicism), taxation and politics. Haarlem, which had joined the rebel cause, found itself at the centre of the storm.
Between December 1572 and July 1573 the city endured one of the most famous and tragic sieges of the war. Spanish troops commanded by Fadrique de Toledo (son of the Duke of Alba) encircled Haarlem for more than seven months. The resistance was heroic and desperate: the entire population — including the women, among whom tradition singles out the legendary figure of Kenau Simonsdochter Hasselaer, said to have organised a group of women to defend the walls — took part in the defence. Hunger and cold took a terrible toll through the long winter of the siege.
Finally, exhausted and with no prospect of reinforcement, Haarlem surrendered in July 1573. The reprisals were brutal: Spanish forces executed much of the garrison and many of the defenders. The siege of Haarlem became a symbol of Dutch suffering and tenacity during the war of independence. Although the city fell, the resistance helped wear down the Spanish troops, and a few years later, as the war turned, Haarlem ended up on the side of the United Provinces that would eventually win independence.
After the horrors of the siege, and now part of the independent United Provinces, Haarlem enjoyed its greatest splendour in the seventeenth century, at the height of the Dutch Golden Age. The city was rebuilt and prospered thanks to the textile industry and linen bleaching, to brewing and, increasingly, to growing flower bulbs in the sandy fields around it, an activity that would come to define the whole region.
But if Haarlem stood out for anything in this period it was its art. The city became one of the great centres of Golden Age painting, a rival to Amsterdam itself. Its towering figure was Frans Hals (c. 1582-1666), a master of portraiture whose loose, rapid, vibrant brushwork anticipated modern painting by centuries. Hals captured the vitality and personality of his sitters like no one else, from cheerful drinkers and musicians to solemn group portraits of the civic militias and the regents of charitable institutions. He spent his whole life in Haarlem, where he died poor, and today the city holds the finest collection of his work in the Frans Hals Museum.
Around him a whole 'Haarlem school' flourished, with landscape painters such as Jacob van Ruisdael — who painted the region's celebrated bleaching fields and windmills — and other masters of still life and genre painting. This was also the era of 'tulip mania' (1636-1637), the first great speculative bubble in history, when tulip bulb prices soared to absurd levels before collapsing. Haarlem, at the heart of the bulb region, was closely tied to that fascinating episode.
In the middle of Haarlem's Grote Markt stands a statue of Laurens Janszoon Coster (also spelled Koster), a figure at the heart of one of the city's most curious historical disputes. According to a deeply rooted local tradition, Coster, a fifteenth-century citizen of Haarlem, invented movable-type printing before Johannes Gutenberg, the German universally recognised as its inventor.
The legend, recorded and spread above all from the sixteenth century onwards, says that Coster carved the first movable letters out of beech bark while walking in the woods, and used them to print. A more novelistic version adds that an apprentice stole his type and the secrets of the craft and fled to Mainz (Gutenberg's city), taking the invention with him. For centuries Haarlem celebrated Coster as a local hero and proudly claimed Dutch paternity of the printing press.
Modern historiography, however, holds that there is no solid evidence to support this attribution, and the academic consensus keeps Gutenberg as the inventor of movable-type printing in Europe around the middle of the fifteenth century. Coster belongs more to the realm of patriotic myth and local identity than to documented history. Even so, his statue still stands in the square, a reminder that every city keeps its own legends, and that those legends are as much part of its character as the verified facts.
From the seventeenth century and through the centuries that followed, Haarlem consolidated two of its most endearing hallmarks: its 'hofjes' and its bond with flowers. The hofjes — garden courtyards surrounded by small houses, founded by wealthy benefactors as free housing for elderly women, widows and poor women — multiplied across the city. Haarlem came to have dozens of them and still preserves around twenty, more than any other Dutch city, which makes it the capital of the hofjes and a living record of the Dutch tradition of urban charity.
The other great hallmark is the flower. The sandy region between Haarlem and Leiden, known as the 'Bollenstreek' (the bulb region), became the world's main centre for growing tulips, hyacinths, daffodils and other bulbs. Every spring the fields are covered in dazzling bands of colour, and very close by, in Lisse, the famous Keukenhof garden unfolds. Haarlem was historically the commercial heart of this flower business, and it is still the natural gateway to this region in bloom.
In the nineteenth and twentieth centuries Haarlem modernised while keeping its medieval old town practically intact, something rare. It survived both world wars — during the Second World War it was under German occupation, like the whole of Holland — and re-emerged as an elegant provincial city, capital of North Holland. Today it combines extraordinary heritage, an intense cultural and food scene, and the advantage of being fifteen minutes from Amsterdam, which has made it one of the most sought-after and best-loved cities in the Netherlands.