Sacsayhuamán (also Saqsaywaman) is the great Inca complex that rises on the heights just north of Cusco, looking down on the city from its slopes. It is one of the most impressive sites in Peru for the monumental scale of its zigzag walls, built with cyclopean stone blocks -some estimated at more than 100 tons- fitted together so precisely that, in the line every guide repeats, not even a razor blade goes in between them.
It is usually called a 'fortress', and it did play a decisive military role during the conquest, but archaeologists today read it above all as a great ceremonial, religious and administrative center. It was part of the sacred layout of Cusco which, according to a classic interpretation, had the shape of a puma: Sacsayhuamán would have been the head of the cat, with its zigzag walls as teeth. Every 24 June its great open field hosts the Inti Raymi, the festival of the Sun, one of the most spectacular celebrations in the Andes.
Being close to Cusco makes it very easy to reach: it is a few kilometers from the center and plenty of people walk up (uphill and at altitude, mind you) or take a taxi. To get in you use the Cusco Tourist Ticket, and the most common thing is to visit it on the 'city tour' that combines Sacsayhuamán with the nearby sites of Qenqo, Puca Pucara and Tambomachay. Bring sunscreen, a hat and water: you're at about 3,700 m and the sun is fierce. If you have just arrived in Cusco, take it slowly because of the altitude.
Sacsayhuamán was raised above all during the reign of Pachacútec (fifteenth century) and continued by his successors, with a colossal stonework effort that went on for decades. It worked as a great ceremonial, religious and administrative center, as well as serving defensive functions. In 1536 it was the scene of the bloody battle in which Manco Inca besieged the Spanish; Juan Pizarro died there. After the conquest, many of its smaller stones were reused in colonial Cusco. More detail on the history page.
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Origins, formation and what the sources say.
Cusco tradition has it that, while these walls were going up, so many men died dragging the colossal stones that the condors came down to feed on the bodies: from there, they say, comes the name. It is legend, not history, but it gives the measure of what Sacsayhuamán meant to those who built it and to those who look up at it today from below, unable to work out how they fitted hundred-ton blocks together without a single visible joint. The real name, though, hides a subtler debate.
Sacsayhuamán (also written Saqsaywaman) has different readings among Quechua specialists. One interpretation, put forward by the Cusco historian Víctor Ángeles Vargas, breaks it into 'sacsay' (to be sated, to eat one's fill) and 'waman' (falcon), the bird said to have been the tutelary spirit -that is, the protective totem- of Manco Cápac, the first mythical Inca. Another reading holds that the correct name would be 'Saqsauma', meaning something close to 'mottled' or 'scalloped head', in direct allusion to the shape of the site.
This second interpretation connects with an idea widespread among guides and historians: that the Incas designed their capital in the symbolic shape of a puma, a sacred animal of great prestige in the Andean world. The body of the cat would spread across the urban layout of Cusco, and Sacsayhuamán, up on the heights, would be its head, with the zigzag walls as teeth or as the scalloped feathers of a headdress. This reading is worth taking with caution -it is a later interpretation rather than a fact documented by the chroniclers of the time-, but it captures the symbolic force the site had, and still has, in the Cusco imagination.
Beyond the debate about the exact name, what is certain is that Sacsayhuamán held a central place in the sacred geography of Inca Cusco, in close material and symbolic relation to the city spread out below it.
The building of Sacsayhuamán was not the work of a single ruler or a single generation. The chronicles and the archaeological studies agree that the project began under the reign of Pachacútec, the Inca who in the fifteenth century turned Cusco into the capital of an empire in full expansion, that it was continued by his son Túpac Inca Yupanqui and, according to some sources, only finished under the rule of Huayna Cápac. In other words, a work that may have demanded several decades of sustained labor.
For an undertaking on this scale, the Inca state turned to its system of compulsory communal work, the mit'a, which mobilized tens of thousands of workers from different regions of the empire. Quarrying the stone blocks from distant sites, moving them, dressing them and assembling them with the precision we admire today demanded logistics and a state capacity for coordination out of the ordinary, comparable in ambition to the great public works of any ancient empire.
The great plaza or open field of the complex, able to hold thousands of people, was designed for communal ceremonial activity, and several of the main structures on the site -its towers, its enclosures- are also thought to have had ritual uses. That reinforces the idea that Sacsayhuamán, rather than a simple defensive work, was conceived as a great stage for the religious and political life of the empire, on a par with its capital.
The first thing that hits you at Sacsayhuamán is the walls: three great zigzag terraces running for hundreds of meters, built with cyclopean stone blocks. Some weigh tens of tons and the largest are estimated at more than 100 tons. What astonishes is not only the size but the precision: the stones, irregular in shape and with many faces, fit into one another without mortar, so tightly that -as the guides keep repeating- not even a knife blade goes between them.
How did they manage it, with no wheels, no large draft animals and no iron tools? With a combination of engineering and social organization. The blocks were quarried kilometers away, moved with ramps, rollers, levers and ropes hauled by enormous gangs, and then patiently dressed, testing and retouching each face until the fit was perfect. The zigzag form of the walls, on top of its possible symbolic value, spreads the forces and adds stability, which helps explain how they have withstood centuries and earthquakes.
This mastery is not unique to Sacsayhuamán -you see it at Ollantaytambo too, and in the walls of Cusco itself-, but here it reaches a monumental scale. Standing in front of these blocks you understand why the Spanish conquistadors were astonished and why, for centuries, there was no shortage of people reaching for fantastical explanations. The reality, more extraordinary still, is that of a civilization that mastered stone as few have in history.
For a long time Sacsayhuamán was called a 'fortress', and it is not hard to see why: its massive walls and high position give it the air of a bastion, and it was in fact decisive in a war. But modern archaeologists tend to see it, above all, as a great ceremonial, religious and administrative center. Its towers stored goods and had ritual functions, its open field hosted celebrations -such as the Inti Raymi, the festival of the Sun, still re-enacted every 24 June- and the whole complex was tied to worship and power rather than to mere defense.
The military role, though, was real and dramatic. In 1536, during Manco Inca's great rebellion against the Spanish, Sacsayhuamán became a strategic point from which the Incas laid siege to occupied Cusco. The battle was ferocious: the Spanish, led by the Pizarro brothers, managed to take the site in bloody fighting. Juan Pizarro, Francisco's brother, died there, struck by a stone thrown from the towers while he was leading the attack. The fall of Sacsayhuamán was a decisive blow to the Inca cause.
After the conquest the complex suffered a long plundering: many of its smaller stones were reused to raise churches, houses and other buildings in colonial Cusco. That is why today the great towers on the upper part -Muyucmarca, Sallacmarca, Paucarmarca- survive only at foundation level, while the cyclopean walls, too heavy to move, are still standing as an imposing testimony to Inca splendor.
For centuries much of Sacsayhuamán lay covered in earth and vegetation, its towers reduced to mounds barely recognizable after the colonial plundering of its stones. The modern recovery of the site is tied to the Cusco archaeologist and historian Luis Eduardo Valcárcel, a central figure in twentieth-century Peruvian archaeology. For the fourth centenary of the Spanish founding of Cusco, in 1934, Valcárcel undertook systematic excavations at the site, which turned up abundant pottery, stone objects and human remains, including mummies.
Those excavations brought to light the bases of two of the towers that the mestizo chronicler Inca Garcilaso de la Vega had described in his Comentarios Reales: the Muyucmarca, round in plan, and the Sallacmarca, rectangular, confirming on the ground accounts that until then existed only in colonial literature. That same year, 1934, Valcárcel founded and opened the Institute of Archaeology of the University of Cusco, an institution key to professionalizing the study of Inca culture in Peru.
The work of Valcárcel and of later generations of archaeologists made Sacsayhuamán one of the best documented and most visited sites in the country, and laid the basis of what is known today about its chronology, its building techniques and its multiple functions. Thanks to that recovery work, it is possible today to walk among the cyclopean walls and the bases of the towers that, until the early twentieth century, barely showed above the ground.