Palenque is, for many people, the most beautiful of the Maya cities: a group of pale stone temples and palaces rising out of lush tropical jungle, at the foot of the first slopes of the Chiapas mountains. What sets Palenque apart is not its size —there are larger Maya sites— but the elegance and refinement of its architecture, the quality of its stucco reliefs and the richness of its inscriptions, which made it one of the keys to deciphering Maya writing.
Its most famous monument is the Temple of the Inscriptions, the funerary pyramid of the great king Pakal the Great, inside which one of the most important royal tombs in the Americas was found, with the famous slab depicting the ruler at the moment of his death. Facing it stands the Palace, a maze of courtyards and galleries with an unusual multi-storey tower, possibly an observatory. Around them, the Group of the Crosses and other temples hold some of the finest reliefs and hieroglyphic texts in the Maya world.
The setting is part of the spell: Palenque sits inside a jungle national park, with waterfalls, streams, howler monkeys whose roar carries through the trees and vegetation that swallows anything not restored. This guide covers the practical side of the visit: how to get there, what to see, the two official access fees (the INAH one for the archaeological site and the CONANP one for the national park), opening hours and tips for combining it with Agua Azul, Misol-Ha and the jungle sites of Yaxchilán and Bonampak.
Palenque (its Maya name was Lakamha') flourished as one of the great Maya capitals of the Classic period, above all between the 5th and 8th centuries AD, under rulers such as Pakal the Great and his son Kan B'alam. After its peak it was abandoned and swallowed by the jungle, until the expeditions of the 18th and 19th centuries revealed it to the world. The discovery of Pakal's tomb, in 1952, was one of the great finds of American archaeology. The full story is on our history page.
Read the full history ↓The southeasternmost province, of jungle, mountains and living Maya cultures: land of Palenque and Pakal the Great, of colonial San Cristóbal, of the Sumidero Canyon and of the 1994 Zapatista uprising.
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Origins, formation and what the sources say.
The name 'Palenque' is not Maya: it comes from Spanish and means 'palisade' or 'stockade', the name the colonizers gave to the nearby town (Santo Domingo de Palenque) and which ended up attached to the ruins. The city's original Maya name was Lakamha', usually translated as 'place of the great waters' or 'wide waters', a reference to the many streams and waterfalls that run through the site and that were essential to its water supply.
Lakamha' was the capital of an important Maya kingdom known in the inscriptions as B'aakal ('bone'). The occupation goes back several centuries BC, but the city grew in importance during the Classic period, making the most of its privileged position: on the transition between the mountains of Chiapas and the Gulf plain, with plenty of water, fertile land and forest, and in a strategic spot for trade.
That abundance of water shaped both life and engineering at Palenque: its builders channeled streams under the plazas through underground aqueducts and terraced the terrain. That close relationship with water and jungle is what sets Palenque apart from other Maya cities built on dry plains.
Palenque reached its height in the 7th century AD, under one of the most famous rulers of the Maya world: K'inich Janaab' Pakal, known as Pakal the Great. He took the throne very young and reigned for almost 70 years (from 615 to 683 AD), an extraordinarily long stretch in which Palenque peaked politically, artistically and architecturally. Many of the great buildings were built or enlarged under him, and the city developed an architectural style of its own, light and elegant, with double-pitched roofs, openwork roof combs and abundant stucco decoration.
Pakal ordered the building of his own funerary pyramid, the Temple of the Inscriptions, whose panels tell the city's dynastic history and legitimize his lineage. After his death he was buried in a secret chamber at the heart of the pyramid, with a jade mask and a sarcophagus covered by a carved slab of extraordinary beauty showing him at the moment of his descent into the underworld.
Pakal's work was carried on by his sons, above all K'inich Kan B'alam II, who ordered the building of the Group of the Crosses (the temples of the Cross, the Foliated Cross and the Sun) to reinforce the legitimacy of his reign through art and writing. In this period Palenque controlled a sizeable territory and kept up rivalries and alliances with other Maya powers, such as Calakmul and Toniná. Its scribes and artists produced some of the most refined hieroglyphic texts and reliefs in all of Mesoamerica.
After the reign of Pakal and his successors, Palenque held on to its importance for a few more decades, but towards the 8th century it began to decline, as part of the so-called 'Classic Maya collapse' that hit many lowland cities. The last dates inscribed on its monuments are from the end of the 8th century; after that, monumental construction stopped and the population dwindled.
The causes of that decline are debated and were probably multiple: demographic pressure and exhausted resources, prolonged droughts, wars between city-states, internal conflict and the breakdown of the political and trade networks that sustained the great capitals. It was not a sudden collapse but a process spanning several generations that ended with the abandonment of the urban centers.
Once abandoned, Palenque was quickly covered by the lush tropical jungle around it. For centuries its temples and palaces lay hidden under the vegetation, perhaps known to local people but unknown to the outside world. The jungle, which had been the city's ally through its water and its resources, became its shroud, preserving and devouring its monuments at the same time.
Palenque began to draw the world's attention in the 18th century. Around 1740-1780, reports of 'stone houses' in the jungle led the colonial authorities to send expeditions, among them that of Captain Antonio del Río in 1787, whose report —with illustrations— circulated around Europe and sparked fascination with the mysterious city. In the early 19th century the eccentric Count Jean-Frédéric Waldeck lived for a while among the ruins, drawing them (hence the name 'Temple of the Count'), although his plates mixed fantasy with observation.
What made Palenque world-famous were the expeditions of the American John Lloyd Stephens and the English draughtsman Frederick Catherwood, who visited around 1840. Stephens's book, illustrated with Catherwood's precise engravings, revealed the grandeur of the Maya cities to a wide public and placed Palenque among the archaeological wonders of the continent, feeding all kinds of theories about its origin.
Through the 19th and 20th centuries, a succession of explorers and archaeologists —such as Alfred Maudslay, with his meticulous photographic documentation and molds— studied the site, cleared the jungle and began to decipher its inscriptions. Palenque thus became one of the keys to unraveling Maya hieroglyphic writing, which would advance decisively in the 20th century.
The most important discovery in Palenque's archaeology came in 1952. The Mexican archaeologist Alberto Ruz Lhuillier, excavating the Temple of the Inscriptions, noticed a slab with drilled holes in the floor of the upper temple and, on lifting it, found a blocked staircase descending inside the pyramid. After years of work clearing the fill, in 1952 he reached a burial chamber hidden at the base: the tomb of King Pakal.
There he found an enormous stone sarcophagus covered by a five-tonne carved slab showing Pakal at the instant of his death, falling towards the jaws of the underworld beside the cosmic tree. Inside lay the ruler's remains, covered with a splendid jade funerary mask and a great deal of jewelry. It was the first proof that a Maya pyramid could also work as a mausoleum, like the Egyptian ones, and the find made headlines around the world. (The famous slab has also inspired all kinds of popular and fanciful interpretations.)
In 1987, UNESCO inscribed the 'Pre-Hispanic City and National Park of Palenque' on the World Heritage list, recognizing both the exceptional value of its Maya architecture and art and that of the jungle setting around it. Today Palenque, managed by INAH and CONANP, is one of the most visited and admired archaeological sites in Mexico, a symbol of the grandeur of Maya civilization and of its close relationship with the jungle.