In the 1940s, Ernest Hemingway sailed these waters in his yacht Pilar and set up a fishing camp on Cayo Paraíso, a coral islet just ten kilometers from here, within the same Colorados archipelago. The reefs and the crystal-clear sea that captivated the writer are the same that today make Cayo Levisa famous: a piece of Caribbean so isolated that, to reach it, you still have to take a boat. Without a causeway, without a road and without cars, Cayo Levisa preserved almost by accident what other Cuban cays lost: the silence and the pristine sand. Cayo Levisa is one of the many islets that form the Colorados archipelago, a long chain of cays, reefs and shallows that stretches off the north coast of Pinar del Río province, at the western tip of Cuba. These cays, separated from the mainland by shallow waters and mangroves, make up one of the great island systems of the north of the island, along with the Jardines del Rey in the center or the Canarreos in the south.
Unlike the coast, intensely cultivated with tobacco and other products in the interior of Pinar del Río, the cays of the Colorados remained on the margins of agricultural and urban development. Covered in mangroves and coastal vegetation, surrounded by coral reefs, these islets were the domain of seabirds, fish and other wildlife, and received only the occasional visit of fishermen and navigators who traveled the western north coast.
Cayo Levisa, in particular, is a small islet, a few kilometers long, with the double face typical of these cays: mangroves and shallow waters on the mainland side, and a white sand beach open to the sea on the north side. That natural configuration, added to the nearby reefs, is the basis of its scenic value and its current tourist appeal. The history of Cayo Levisa is, above all, the history of a natural corner long preserved by its isolation.
Like the rest of the cays of the Colorados archipelago, Cayo Levisa remained practically uninhabited and on the margins of Cuba's 'major' history for centuries. There were no important settlements, plantations or relevant ports on it: its small size, the lack of fresh water and its character as an islet surrounded by mangroves and shallows kept it out of the colonial development that was transforming the interior of Pinar del Río.
The relationship of human beings with these cays was, for a long time, that of fishing and coastal navigation. Fishermen from the western north coast frequented the fish-rich waters around the reefs, and the ships that traveled the coast used the cays as landmarks or occasional refuges. It was a world of sea, mangrove and sand, apart from the great transformations of the island.
That isolation, which for centuries meant marginality, turned out over time to be the key to Cayo Levisa's value. The scant human intervention allowed the cay to preserve its pristine beach, its mangroves and the nearby reefs in good condition, precisely the attractions that, in the 20th and 21st centuries, would make it a nature and beach destination appreciated for its beauty and its tranquility.
A note that usually accompanies Cayo Levisa, as with so many sea places in Cuba, is its association with the American writer Ernest Hemingway. The author of 'The Old Man and the Sea' lived many years in Cuba and was a passionate deep-sea fisherman, which he practiced intensely in the island's waters. His figure became forever linked to the Cuban sea and to numerous coastal spots, and the tourist tradition mentions that he is said to have also frequented and fished in the western cays area.
These associations should be taken with caution: Hemingway's name is linked above all to other places in Cuba —his house on the outskirts of Havana, the fishing village of Cojímar, the waters of the Gulf Stream where he fished—, and his specific relationship with Cayo Levisa belongs more to the realm of tradition and tourist promotion than to documented history. Even so, the writer's aura is part of the romantic narrative of these cays.
Beyond the legends, what is true is that the waters of the Colorados archipelago, rich in fish and reefs, have always been a good place for fishing, and that this seafaring character is part of the region's identity. The 'shadow of Hemingway' adds a touch of myth to the natural charm of Cayo Levisa.
One of the features that define Cayo Levisa's identity is something that didn't happen: unlike the big tourist cays of central and eastern Cuba —such as Cayo Coco, Cayo Guillermo or Cayo Santa María—, Cayo Levisa was never connected to the mainland by a causeway, those long stone roads that cross the sea to allow vehicle access to the cays.
The causeways radically transformed the big cays of the center and east, opening them to the development of extensive all-inclusive hotel complexes with capacity for thousands of tourists. That transformation brought mass tourist development, but also a profound change in the landscape and, in some cases, environmental impacts on the circulation of water and the ecosystems. Cayo Levisa, by contrast, remained accessible only by boat, which fundamentally limited its tourist scale.
That difference is key to understanding today's Cayo Levisa. With no causeway, the cay kept its character as an isolated islet, with a single small lodging complex and a quiet, natural atmosphere, very different from that of the big resorts. For the traveler, arriving by boat and landing on an uncrowded beach is precisely what sets Cayo Levisa apart: a cay that stayed small-scale precisely because it was never linked to the mainland.
The Cayo Levisa that travelers know today was born with the development of nature and beach tourism in Cuba, in the late 20th and early 21st centuries. Taking advantage of its white sand beach, its turquoise waters and the nearby coral reefs of the Colorados archipelago, a small complex of cabins with a restaurant and a dive center was set up on the cay, connected to the mainland by the boat service from the Palma Rubia pier.
The bet was on small-scale tourism, in keeping with the cay's isolated character: not a big resort, but modest lodging designed for those seeking a quiet beach, nature and diving. The reefs off the cay became one of the central attractions, adding Cayo Levisa to the map of western Cuba's diving destinations, along with the more famous María la Gorda in the Guanahacabibes Peninsula.
Thus, Cayo Levisa went from being a practically unknown islet to an appreciated destination, especially as a beach complement to trips through western Cuba. Many visitors combine it with a stay in Viñales, adding the white sand and turquoise sea to the mogotes and tobacco fields of the interior. The cay's recent history is one of a balance between tourist appeal and the conservation of what makes it special: its tranquility and its almost pristine nature.